008 Producing an "Unproduced" Album - Get Back/Let It Be

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With Apple’s announcement that Peter Jackson will be reworking the Let It Be footage, we go back to the actual sessions to examine this period from George Martin’s perspective. Martin and The Beatles advanced the use of the recording studio in a variety of creative ways, but what would happen if they took away their method of building a recording with layers of intricate overdubs and played everything live? On the Get Back/Let It Be project, the Beatles did just that, setting aside the recording process they had developed with their producer over the previous six years. But without “production,” what was Martin’s role in this project, and how much was he actually there? And who actually produced these sessions?

REFERENCES

Johns, Glyn. Sound Man.

Kehew, Brian, and Ryan, Kevin. Recording The Beatles.

Lewisohn, Mark. The Beatles Complete Recording Sessions.

Lewisohn, Mark. The Complete Beatles Chronicle.

Martin, George. All You Need Is Ears.

Sulpy, Doug, and Schweighardt, Ray. Get Back: The Unauthorized Chronicle of The Beatles’ Let It Be Disaster.

Tobler, John, and Grundy, Stuart. The Record Producers.

Jason Kruppa